#26
Posted 05 February 2012 - 07:48 PM
220 will get you a smooth finish- functional and finished. Going further will get you that and something to enjoy with your touch, eyes, and pride in ownership. The extra work is the pleasure of the act of creating, the enjoyment of the process, and the joy of sensing the beauty of a highly finished and refined tool that is both tool and art.
I will dither in both camps as I always have and lend my support to all you terminal sanders out there, you are not alone!
#27
Posted 05 February 2012 - 07:49 PM
But yeah, I'll think of you next time I put the used 240 sandpaper in the bin and reach for 320.
#28
Posted 05 February 2012 - 07:52 PM
#29
Posted 05 February 2012 - 09:06 PM
@ Hrawk: All I can say is, nice. But so what? It's supposed to be a slingshot. Its exceeding beauty does not elevate it above, for example, one of Nathan's masterpieces. But I'll bet it's smoother.
Edited by Dayhiker, 05 February 2012 - 09:07 PM.
#30
Posted 05 February 2012 - 09:15 PM
Bob Fionda, on 05 February 2012 - 07:52 PM, said:
Well, Bob, I can't help it. I cannot help but ask myself what I am doing here. Is it a practical art or a fine art. Of course it can be either. But what I'm asking is, am I an artist or am I an artisan. I have chosen artisan. Others want to be artists I guess. Nobody's right or wrong, and I don't want to divide the community. I'm just pointing out that it's already divided. That's all.
Nothing is either good or bad, but thinking makes it so.
(bad paraphrase of Shakespeare)
Edited by Dayhiker, 05 February 2012 - 09:17 PM.
#31
Posted 05 February 2012 - 09:18 PM
Dayhiker, on 05 February 2012 - 09:06 PM, said:
I like to make my slingshots using acrylics because it is something different. I don't want to be making carbon copies of something everyone else is doing. I want my work to be unique and stand out from the crowd.
Yes it is supposed to be a slingshot and that's exactly what it is. I like to take pride in whatever I make and try to make it to the best of my ability. I'm not happy with taking short cuts then looking at something later and thinking I could have done better. If this takes a bit more sanding, so what, it's fun to do and you get a real sense of achievement holding the finished product.
Being able to aim THROUGH the fork tip rocks !!!
#32
Posted 05 February 2012 - 09:34 PM
So I'll just consider you more of an artist than a craftsman. There is no problem there. In this war we are on opposite sides. But nobody can actually win this war, ha ha.
#33
Posted 05 February 2012 - 09:37 PM
Thanks for the compliment calling me an artist. Usually I just get called an alcoholic
#34
Posted 05 February 2012 - 10:11 PM
With this take on things, where do you stand with boardcuts? Seems to me that this would also lie generally in the artist area...
-f00bs
#35
Posted 05 February 2012 - 10:16 PM
as for me I'm a 240 guy. BUT I don't skip my grits...100, 120, 180, 240 with a 320 wet/dry between finishing coats.
#36
Posted 05 February 2012 - 10:33 PM
Hrawk, on 05 February 2012 - 05:45 PM, said:
Dayhiker, on 05 February 2012 - 05:20 PM, said:
Why can't a person be both ? Is it a crime to go the extra effort on a slingshot and turn it into a work of art ?
There is one place where ultra smoothness is a big benefit and that is the fork tips. The smoother the finish, the less abrasion and wear on the bands.
agree, any part the bands touch i like to be very smooth or ad with 107 cut offs
#37
Posted 05 February 2012 - 10:54 PM
The finer the wood finish the more uniform each coat of sealer and top coat will be. I prefer my work finely finished, I can go from gloss or deep satin in two steps.
If you use low grade lumber or multiprex 220 or 320 grit is about right, if you use an exotic or burl wood anything less than 600 grit will look like crap.
Just my limited experience working and selling all kinds of wooden implements, boxes, cases, knife handles,knife scales, humidors, jewelry boxes, etc etc over the past 40 years
The design and execution of work are more critical than finish for functionality, if the frame is junk design nothing will make it grip better, if you try to make a buffalo killer by overbanding this becomes more apparent.
do whatever you want if you are happy and having FUN who cares, mine are a legacy to be passed on and appreciated by who ever owns them
#38
Posted 05 February 2012 - 11:01 PM
#39
Posted 05 February 2012 - 11:28 PM
However I know that when I sand I use 500 as my last stop. I like things really really smooth. And with a poly or glue finish they are very grippy.
**** I'm smooth.
#40
Posted 05 February 2012 - 11:31 PM
#41
Posted 05 February 2012 - 11:48 PM
Quote
#42
Posted 06 February 2012 - 01:28 AM
Dayhiker, on 05 February 2012 - 09:15 PM, said:
Bob Fionda, on 05 February 2012 - 07:52 PM, said:
Well, Bob, I can't help it. I cannot help but ask myself what I am doing here. Is it a practical art or a fine art. Of course it can be either. But what I'm asking is, am I an artist or am I an artisan. I have chosen artisan. Others want to be artists I guess. Nobody's right or wrong, and I don't want to divide the community. I'm just pointing out that it's already divided. That's all.
Nothing is either good or bad, but thinking makes it so.
(bad paraphrase of Shakespeare)
#43
Posted 06 February 2012 - 03:15 AM
#44
Posted 06 February 2012 - 03:50 AM
#45
Posted 06 February 2012 - 04:02 AM
#46
Posted 06 February 2012 - 04:45 AM
To be perfectly honest, what motivated me to start this was the fact that I am sick to death of sanding. I am beginning to really dread it.
I agree that some woods really do require that you sand them and polish them. But I only work in naturals and plywood for the most part. So this was coming from my perspective. The only way I can up my game is to start using better woods(better looking, that is), and that would require me to spend lots more hours just rubbing and rubbing in order to justify using them
OR I could spend lots more money on tools and equipment. Going into retirement in June means that starting now, I just ain't gonna have that kind of money to spend on more tools.
So I had to take a look at myself and my hobby. I wanted to get your thoughts on this and I certainly do appreciate them. Thanks again guys. I will now try and settle into my own sweet spot and just sit back and enjoy what I'm doing.
#47
Posted 06 February 2012 - 06:45 AM
#48
Posted 06 February 2012 - 09:16 AM
While I won't deny that a glossy finish might be slippery on a sweaty day, I glad to see that some slingshot makers go this route.
Different takes by different builders give guys like us more options, and more styles to collect enjoying what each design and designer has to offer.
Variety is the spice of life.
#49
Posted 06 February 2012 - 01:22 PM
#50
Posted 07 February 2012 - 05:26 AM
If something like danish oil is chosen, then only fine sanding of the wood will determine the smoothness of the finish.
If a thin veneer is applied to the project, then this would require the least amount of sanding necessary on bare wood to produce the finish desired. The veneer could easily be sanded through and ruin the project.
It ain't cheating if you use a sanding sealer to get the high gloss look you may want. They made it to cut way down on sanding bare wood.
I like the feel of the wood when I am done, so I like to use oil because it soaks in and doesn't build up on the surface. When it looks and feels like I want I let it dry and shoot it. Much later, wax can be applied for maintenance.
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